Prowse, Philip (10 of 27)  An Oral History of Theatre Design

  • Add a note
    Log in to add a note at the bottom of this page.
  • All notes
  • My notes
  • Hide notes
Please click to leave a note

The British Library Board acknowledges the intellectual property rights of those named as contributors to this recording and the rights of those not identified.
Legal and ethical usage »

Tags (top 25):
(No tags found for this item)
  • Type


  • Duration


  • Shelf mark


  • Recording date

    2005-11-01, 2005-11-09, 2005-11-16, 2005-11-23, 2005-12-07, 2005-12-14, 2005-12-21

  • Recording locations

    Interviewee's home, Chelsea

  • Interviewees

    Prowse, Philip 1937- (speaker, male)

  • Interviewers

    O'Ryan, Lydia (speaker, female)

  • Abstract

    Part 10: PP anticipates arrival of new local Waitrose supermarket; anecdote about meeting Ian McKellan in Waitrose, Canary Wharf. Remarks on movie director / designer influences including Visconti, Fellini, Pasolini, Bertolucci; mentions Jane Campion, Francis Ford Coppola; draws comparisons between Feretti and Donati, Tosi and Scarfiotti; comments on Fellini's ' Satyricon' and Visconti's ' Ludwig' . Anecdote about Visconiti's film 'Senso' (translated as ' The Wanton Contessa' with Alida Valli and Farley Granger. Costumes by Escoffier. PP recalls problems when designing Gluck's ' Orfeo and Eurydice' at Covent Garden (director John Copley, conductor George Solti ); desribes later design for Opera North. Reference to design for Schiller's 'Don Carlos' . Remarks on design requirements for Oscar Wilde's 'Lady Windermere's Fan' and notion of director sharing his perception with audience. PP describes his perception of ' Duchess of Malfi'; mentions John Webster's ' The White Devil'.

  • Description

    Life story interview with Philip Prowse (1937-), theatre designer.

  • Metadata record:

    View full metadata for this item